FAQ
Frequently Asked Questions
Hello
Here you will find questions which are often asked.
But more important: You also will find a link to a tutorial where you probably will find an answer.
This collection of questions will grow with time.
I wish you good luck while searching for answers.
Yours
Beat Kaufmann
The answer you will find in this picture [..more...]
An answer can be given by this section... [..more...]
Step 4 ... Step 6 [..more...]
There are orchestra settings. One possibility you can find here [..more...]
The farther the mono... [..more...]
Try to simulate the listener situation in a concert hall... [..more...]
There are several reasons... [..more...]
More answers... [..more...]
Here you will find an answer... [..more...]
Have a look at VI-tricks 5.2 ... [..more...]
The answer is here...6.1 and 6.2 [..more...]
General Tutorial Step 4... [..more...]
Another link (Step 4 and 5) [..more...]
Please read here... [..more...]
A first simple answer you will find... [..more...]
Here you will find an explanation of the parameters and a possible application... [..more...]
It has to do with stereo-mono compatibility... [..more...]
String players have the their bow to produce sounds with the strings.Even if they stroke slowly once they have to change the direction. Therefore it is impossible to play endless legatos. So how to simulate this "changing of the bow direction"? ... [..more...]
One possibility... [..more...]
Read the tutorial "Acoustics" or at least...and the following points [..more...]
Plan a stage-layout... [..more...]
If you are using a VI: Try to use repetition samples. Even if you use repetition samples change the velocity between each tone... [..more...]
Mantovani played his Strings with a "melting" effect which comes sweet along. So it is an effect which can be useful for sweet and romantic scenes in films for example. How to reproduce it with samples?
How to play with VI a crescendo into a sustained tone, so that the sustained tone gets a crescendo in its end? One possibility is to use a second VI. An other solution... [..more...]
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